PEEPHOLES THE OVERSPILL FREE DOWNLOAD

In the past they worked with sound engineer extraordinaire Shelley Ostapovitch, best known for her involvement with Throbbing Gristle and Hidden Cameras, but this time round Peepholes synth operator Nick Carlisle takes the reins. With 'The Overspill', Peepholes have not only escaped the story, they've escaped the narrator, leaving something beautiful yet profoundly ambiguous in its absence. Similarly 'I Go Basic' is upbeat in its pursuit of the song, rolling with the drums, allowing the tumbling synth to find a rare triumphant zone, the whole track unfurling like an awakening. On the surface the general construction of songs appears to consist of a filthy pulsating electronic bass, intricately placed rhythmical smatterings from the drums provided by Katia Barrett, layered with sweeter synth sounds and haunting delayed vocals. Upset The Rhythm Release Date: Treading a tightrope between underground punk and dance music, Peepholes write cloaked anthems as likely to open celestial gates with keys of repetition as to soundtrack a Dark Age future. Barrett and Carlisle originally from Bahrain and Northern Ireland respectively met in Brighton in after bonding over a Chinese violin and the quietest of music.

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At the drink with Jamie T. You can hear that on opener "Ah Ah Ah" with its insistent motorik feel and pleading vocal of masked sounds. Like a resurgent memory, halfway through, the song recalls another direction, peepuoles in static waves, crushed drums and weird electronic parallels.

Now it's up to us to decide whether we should trust our own instincts.

Kat's insistent bursts of hi-hat draw the song through unexpected terrain. In the past they worked with sound engineer extraordinaire Shelley Ostapovitch, best known for her involvement with Throbbing Gristle and Hidden Cameras, but this time round Peepholes synth operator Nick Carlisle takes the reins.

Scott Walker

If this music was a place it would be an abandoned warehouse ravished by paganic miscreants, kind of The Aztec Zone meets The Industrial Zone. Similarly 'I Go Basic' is upbeat in its pursuit of the song, rolling with the drums, allowing the tumbling synth to find a rare triumphant zone, the whole track unfurling like an awakening. DiS Picks Its Best DiS Does Sharpe Festival Here are of some of the most atmospherically interesting, creative and original sounds around.

More simply put, it's like Factory Floor just let their hair down. This is preceded by album closer 'Living in Qatar', that keeps the pop treadmill alive for a time before dissolving into a hypnotic haunted kraut inspired ramble. Swedish purveyors of alien synergy.

The other two stand out tracks 'Sleep In The Shower' and 'Pulling Cars' both tap into a similar punk energy, sounding sincere and anthemic, drawing electronics to the fore alongside Kat's perfect hollers. Carlisle's synth stalks Barrett's blurred voice into a formless coda of tumbling toms whilst some nihilistic Fairlight pipes join the pursuit, only to resurface later on Fourth World melodic rush "Keychain". She continued to work with the band over several months, whilst Kat and Nick worked on takes, overdubs and vocals.

So recorded quickly yet produced slowly, the record took shape by alchemical process.

Peepholes - The Overspill | Dazed

They quickly turned the volume up and hit on their winning strategy of soaring, stammering synth lines, primal drumming and low-slung vocals.

It's this unexpected embrace of the pop hook that informs title track 'The Overspill' too, letting the whooped vocals and queasy keyboard lines play over the disconcerting back-drones, allowing a greater punch to be packed.

Although there are moments of light as with the tender treatment given to "Lion", this album feels dark, not so much in an over-prescribed depressive way, more along the lines of gleefully destructive, heavy with a celebratory, upbeat focus. It's fitting that final track "Living In Qatar" exceeds in leaking out from the edges of the "we go out every night, we try out every car" pop realm into a vast somber void of tracing synthesizers, exclamations and hallucinations.

Peepholes - The Overspill

On the surface the general construction of songs appears to consist of a filthy pulsating electronic bass, intricately placed rhythmical smatterings from the drums kverspill by Katia Barrett, layered with sweeter synth sounds and haunting delayed vocals. This is their third outing with Upset the Rhythm, but this release goes one stage further and makes a bold statement.

UTR 12" 6 tracks, 31 mins Buy 'Caligula' takes as its namesake the Roman Emperor most notorious for excessive cruelty and sexual peepholees becoming a byword for insane extravagance.

The initial material for the album was improvised and recorded over two days earlier this year at London DIY hub Power Lunches. With 'The Overspill', Peepholes have not only escaped the story, they've escaped the narrator, leaving something beautiful yet profoundly ambiguous in its absence.

DiS Meets Royal Blood. What better image could there be for this album? A Different Ovefspill Of Weird: Kat's catchy vocal lines are echoed by Nick on the pulsating 'Alpine Song', which has a wonderful wobbly descending synth melody giving way to a lonesome coda full of icy feelings of displacement.

This short song of swaggering, burnished synth tones, faded claps and echoed ambience is joyously confined by Barrett's almost mantra-like commitment to the song's only lyric "hustler, gaylord, his law, conversation".

Treading a tightrope between underground punk and dance music, Peepholes write cloaked anthems as likely to open celestial gates with keys of repetition as to soundtrack a Dark Age future. Now their sound is firmly formulated, the tea bag has been drained, leaving an unexpected pungent Peepholes concentrate behind and ready to serve.

Decidedly more motorik than the other tracks, 'Picture The World In Signs' finds relish in its unrelenting groove, allowing Kat to pitch plunge her vocal amongst the folds of psychedelic keyboard warmth. And the fact it is Nick is testament to the new confidence Peepholes have found.

There is the second track 'Conversation' with its lyrical mantra: